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Silver Age of comics

Origin of term
Comics historian and film producer Michael Uslan traces the origin of the "Silver Age" end to the letters column of Justice League of America # 42 (February 1966), which went on sale December 9, 1965. Letter-writer Scott Taylor of Westport, Connecticut wrote: "If you guys keep bringing the heroes of the 1930s [1940] Golden Age, people 20 years from now will call the decade of the sixties money! "According to Uslan, the natural hierarchy of Gold Silver Bronze medals as Olympic seized." Immediately Fans glommed on this, refining more directly in a Silver Age version of the golden age. Soon he was in our vernacular, replacing Expressions such as … "Second Heroic Age of Comics" or "Modern Times" from the cartoon. It was not long before dealers were … indicating that it was a golden age of comics for sale or silver age comic at the sale.
History
Background
Superman, as shown by a 1941 Fleischer Studios animated film was created during the golden age comics.
Covering the Second World War, when the comics provided cheap entertainment escape disposable and can be read and then discarded by the troops, the golden age of comics covering the end of 1930 to the late 1940s. A number of major super-hero were created during this period, including Superman, Batman, Wonder Woman and Captain America. The brief called Atomic Age followed, between 1945 and 1956, but years comics have been blamed for an increase in the statistics of juvenile delinquency, but this increase has been demonstrated that, in direct proportion to population growth. When juvenile offenders admitted to reading comics, he was seized on a common denominator; was a notable critic Fredric Wertham, author of Seduction of the Innocent (1954), who attempted to place the blame for juvenile delinquency by parents of children in the comics they read. The result is a declining industry of comics. To address concerns public in 1954, the Comics Code Authority was created to regulate and limit the violence in comics, marking the beginning of a new era.
DC Comics
The Silver Age began with the publication of DC Comics Showcase # 4 (October 1956), which introduced the modern version of the Flash. At the time, only three superheroesuperman, Batman, Wonder and Womanere yet published their own titles. According to DC Comics writer Will Jacobs, Superman was available in "large quantity, but of poor quality." Batman was better, but his comics have been "lackluster" compared to its previous adventures air "of the 1940s, and Wonder Woman, having lost its original author and artist, was more "idiosyncratic" or "interesting". Jacobs described the arrival of Showcase # 4 in kiosks that "begging to buy"; the cover featured a film strip illustrating the undulating Flash run so fast he had escaped from the base. Editor Julius Schwartz, writer Gardner Fox and artist Carmine Infantino was the source of revitalization of the flash.
Julius Schwartz, DC, instrumental figure for the age money.
With the success of Showcase # 4, several other 1940s heroes were reworked during the tenure Schwartz, including Green Lantern, the Atom, and Hawkman and the Justice League of America. The artists responsible included DC Murphy Anderson, Gil Kane and Joe Kubert. Only the names of the characters remained the same, their costumes, locations, and identities have been changed, and imaginative scientific explanations for their superpowers generally has taken the place of magic as a modus operandi in their stories. Schwartz, a fan of science fiction all along, was the inspiration for the re-imagined Green Lanternhe Golden Age character, railway engineer Alan Scott, had a ring powered by a magic lantern, but the Silver Age alternative, the test pilot Hal Jordan, a ring was powered by a battery and created by an alien force of intergalactic police.
In the mid- 1960s, DC has established that the characters appearing in comic books published before the Silver Age has lived on a parallel Earth the company called Earth-Two. The characters introduced in the silver age and lived from Earth-One. It was established that both realities have been separated by a vibrational field that could be taken, should involve a scenario superhero team from different worlds up.
Although Flash is widely regarded as the first superhero of the Silver Age, the introduction the Martian Manhunter in Detective Comics # 225 earlier Showcase # 4 nearly a year, and some historians consider this character the first Silver Age super-hero. However, comics historian Craig Shutt, author of the column in Comics Buyer's Guide "Ask Mister Silver Age", is disagree. Shutt noted that when the Martian Manhunter makes his debut, he was a detective who used his foreign talents to solve crimes. Although he eventually became a founding member of the Justice League of America, originally it was just a detective "bizarre" Like other DC characters that were contemporary "TV detectives, detectives Indian supernatural detectives, [and] Detectives animals." Schutt feels the Martian Manhunter becomes a superhero in Detective Comics # 273 (Nov. 1959), when he received a secret identity for superheroes and attributes others. Schutt Said, "If Flash was not there, I doubt that the Martian Manhunter would have led the charge in his dressing station in a new detective era of super-heroes. "Another hero who preceded Showcase # 4 is the Captain Comet, which debuted in Strange Adventures # 9 (June 1951). Comic Book Resources columnist Steven Grant considered the first Silver Age super-hero.
Marvel
The Fantastic Four # 1 (November 1961) the cornerstone of Marvel Comics. cover art by Jack Kirby (artist) and unconfirmed inker.
DC Comics has led the revival of the superhero with its publications from 1955 to 1960. Marvel Comics and then capitalized on the renewed interest in storytelling superhero sophisticated and characterization. Unlike previous eras, Silver Age characters were "flawed and self-doubt.
DC has added to pace with its 1960 introduction of the Justice League of America, a team of more of the popular superhero characters, Martin Goodman, a trend-follower with the publication of his 1950 Atlas Comics line, grade 1 has completed its editor of Comics, Stan Lee, to create a series a team of superheroes. Lee recalled in 1974 that "Martin said he had noticed one of the titles published by National Comics seemed be selling better than others. It was a book called The [sic] Justice League of America and was composed of a team of superheroes. … "If the Justice League is selling," he said, 'why not put a comic strip that has a team of superheroes? "Comics Marvel Fantastic Four has been the result.
Under the direction of writer-editor Stan Lee and artist / co-conspirators such as Jack Kirby and Steve Ditko, Marvel began its rise and importance. Presentation of dynamic tracing and more sophisticated characterization in the comic strip superhero Marvel began targeting teen readers and college-aged, in addition to market child. Based on the success of The Fantastic Four, Lee and his artists have created eleven new series over the next two and a half years, with Spider-Man and, after a slow start, the Hulk's most popular new characters. Other important and enduring Marvel Heroes Silver Age including Iron Man, Thor, Daredevil, X-Men, Marvel and his own group of stars, the Avengers. Captain America, a hero from the golden age, was relaunched in Avengers # 4 (March 1964).
Comics historian Peter Sanderson compares the 1960 DC in a major Hollywood studio. Having reinvented the superhero genre, the last part of the decade, DC believes it suffered from a creative drought. The audience for comics was not just children, and Sanderson sees the Marvel of 1960s as the comic equivalent of the French New Wave, the development of new methods of storytelling that have attracted and retained in the readers who were in their teens and over and thus influence comic authors and artists of the future. Comics historian Craig Shutt, DC, and compares different Marvel styles: according Schutt DC heroes were simple in their dealings with each other, quickly unite to defeat an enemy. However Marvel heroes trusted each other less, and would often conflict with each other before resolving their differences and join against a common enemy. DC approach resolved the conflict between the heroes without violence; Marvel "approached the old, little-kid issue which the hero would win in a battle.
Other publishers
Harvey Comics focused on children during the Silver Age with characters such as Casper the ghost Friendly, seen here in a cartoon in 1948.
One of the top comics publishers in 1956, Harvey Comics abandoned his horror comics when the Comics Code has been adopted and requested a new target audience. Harvey's focus shifted to children 6 to 12 years of age, especially girls, with characters such as Richie Rich, Casper the Friendly Ghost and Little Dot. Many comics company featuring young girls "Defies stereotypes and sent a message of acceptance of those who are different." Other publishers, such as Dell Comics and Gold Key Comics, has made similar changes. Though his characters have inspired a number of films and nostalgic merchandise ranges, comics Harvey the period are not as popular in the collectors market that DC and Marvel titles.
With the popularity of the Batman TV show 1966 publishers who specialized in other forms began Adding titles to their superhero lines. In addition, new publishers rose, often using creative talents of the golden age. Harvey Comics published Double-Dare Adventures, with new characters such as B-Man and Magic-Master. Dell Comics published superhero versions of Frankenstein, Dracula and the werewolf. Gold Key Comics published the licensed versions of television programs as captain of Nice, Frankenstein Jr. and the impossible, and continued the adventures of Walt Disney Pictures Goofy Supergoof. Charlton Comics published a line of super-hero short-term with new characters including Captain Atom, Judo Master, the question, and Thunderbolt. American Comics Group has given its established character Herbie a secret identity as the superhero Fury fat, and presented the characters of Nemesis and the iconic Magic-Man.Even Archie Comics has acquired superpowers and adolescent identities in superhero comic titles like Archie as Pureheart the Powerful and Jughead as Captain Hero.
Archie Comics has also launched its own standard, the non-super hero humorous. Line Archie Adventure (sequel Mighty Comics) included Fly, Jaguar, and the Shield, which was reorganized Golden Age heroes. The success of the Avengers and Justice League of America invited Archie to create his own team title, The Mighty Crusaders, who saw the comet and flygirl join three characters with their own titles.
Archie Series Joint rate typical superhero style camp in the 1960s television series Batman.
One of the new publishers have emerged briefly in the late 1960s was Lightning Comics, which published three issues of human Fatman Flying Saucer by Otto Binder and CC Beck, the author and the team responsible for many artists of the Golden Age Captain Marvel stories. Another was MF companies issued five numbers of Series also known as Captain Marvel, which was a new character Carl Burgos, the golden age of man's creative flame, which had no relationship other than a few allusions in the joke to the golden age Captain Marvel.
Most of these new series has started in 1966 or 1967 and lasted more than a year. Tower Comics, which published the likes of Dynamo, Noman and sub-agent, was more experienced, their title Thunder Agents lighthouse began in 1965 and lasted 20 issues, ending in 1969.
According to John Strausbaugh The New York Times, the traditional comic book historians feel that even if the golden age deserves study, the only remarkable aspect of the Silver Age was the advent of the subway BD. One commentator suggested that the underground comics are regarded as legitimate art, because they generally have been written and drawn by one person; artists like Robert Crumb and Gilbert Shelton described as the first comic book and instinctual. While most comics of the time were pure fantasy, comics for adults underground and reflects the movement of the cons of the time, being printed by publishers and ad hoc distributed in stores in the head.
End
Artist Neal Adams, whose work with writer Denny O'Neil Green Lantern / Green Arrow marks a possibility for the end of the Silver Age.
Various events have been identified as marking the end of the Silver Age. One suggestion was the publication of the 1969 comic 12 percent, while others have focused on publishers who have been its driving forces: Marvel and DC. According to Will Jacobs, the Silver Age ended in April 1970, when the man began, Julius Schwartz, delivered Green Lantern Denny O'Neil and Neal Adams in response to reduced sales. John Strausbaugh also connects the end of the Silver Age Green Lantern. He noted that in 1960, the character embodies the can-do optimism of the time, saying, "Nobody in the world suspect that any time I can become powerful Green Lantern with my amazing power ring and invincible green beam! Golly, what a feeling it is! "However, in 1972, Green Lantern became weary world; "Those days are gone lost forever the days I was confident, some … I was so young … so sure I could not make a mistake! Young and arrogant, who was Green Lantern. Well, I changed. I'm older now … perhaps wiser too … and much less happy. "Strausbaugh says that the Silver Age" came out with that whine. "Comics scholar Arnold T. Blumberg places the end of the Silver Age in June 1973, girlfriend of Spider-Man Gwen Stacy was killed in an arc of the story later nicknamed "The Night Gwen Stacy Died ", said the era of" innocence "has been completed by" the "tower heard snap" the cartoon world, The Terror, sickening snap of bone, which announced the death of Gwen Stacy.
Consequences
Age Silver cartoon was followed by the Bronze Age. The line of demarcation is not clearly defined, but there are some number of possibilities. Scott Resource comics, lists several frequently cited touchstones, including personnel changes and the publication some specific issues. Among these are Conan # 1 (1970) and Green Lantern / Green Arrow # 76 (April 1970), "often cited as the first books of the age Bronze. "He notes also move Jack Kirby's Marvel to DC in 1970 and retired Superman editor Mort Weisinger that same year. Another candidate is the possible return of the horror comic, and the arrival of stories with social relevance consciously encouraged. Arnold T. Blumberg said that the transition has been gradual process that lasted from the late 1960s until 1973, ending with the death of Gwen Stacyn event "that name to many as the most memorable moment booster fan collective movement. "He wrote that there was a willingness of creators and publishers to discuss mature themes, even if they "have been filtered through the lens a bit simplistic" super-hero, putting an end to "the Light, carefree Silver Age ".
Alan Moore, who started the movement "new money" with a history of Superman in 1986
According to historian Peter Sanderson, the "neo-silver movement" that began in 1986 with Superman: Whatever Happened to the Man of Tomorrow? by Alan Moore and Curt Swan, was a reaction against the age of bronze with a return to principles Silver Age. Sanderson's view, each generation rebels against the cartoon the previous, and the movement was a response to Crisis on Infinite Earths, which was itself an attack on the Silver Age. Neo-silver creators comics cartoon is recognized and assimilated the most sophisticated aspects of the Silver Age.
Legacy
Age money marked a decline in the importance of comics in genres such as horror, romance, humor, animals, funny teenage or westerns which were more popular than the adventures of superheroes in the late 1940s until the mid-1950s, and these fans see the age Genres money as a decline from that era.
An important feature of the period was the evolution of the composition of super-hero character. Young children and girls have been targeted during the Silver Age by some publishers, particular, Harvey Comics has brought this group with titles like Little Dot. Adult-oriented comic strip underground also began during the Silver Age. There are several proposed evaluation criteria for the Silver Age, including changes in the series Green Lantern and the death of the small Spider-Man's girlfriend in The Amazing Spider-Man # 121 (June 1973).
Some critics and historians say that one of the characteristics of the Silver Age, is that science fiction and aliens replaced the magic and gods. Others argue that magic was an important element of age Gold and two Silver Age characters. And many Golden Age writers and artists were fans of science fiction or professional writers of science fiction that incorporated SF elements into their comic stories. Science has been a common explanation for the origin of the heroes of the Golden Age.
The Silver Age coincided with the rise of pop art, art movement that uses popular cultural objects, such as advertising and packaging, as raw material for the fine, or a gallery exhibition, art. Roy Lichtenstein, one of the best known painters of pop art, specifically selected individual panels of comic books and painted images, modify some extent in the process, including painting the word and thought balloons and legends as well as color enlarged scale points by mimicking the process of staining and then used in newspaper comics. A cartoon exhibition was held at the Musee des Arts Decoratifs in the Louvre Palace in 1967, and books have been published as soon as the content of discussions serious art of comics and the nature of the medium.
In January 1966, a television live-action Batman show began high ratings. As pop art, the show has taken the comic tropes and reenvisioned in the context of a different environment. narration in each episode articulated the words of the legends of the comic while the fight scenes had sound effects like "Biff", "Bam" and "Pow" visual effects appear on the screen in big letters cardboard. Movement of comic books in general and Batman in particular goods skyrocketed. Other hidden or superpowered adventurers appeared on the TV screen, so that "the U.S. television in the winter 1967 seemed to consist of a cartoon, but another live-action and animated little hero comics, while the color of life. "Existing comic book publishers began to create superhero titles, as well as new publishers. In the late 1960s, however, the craze had disappeared in 1969, the best-selling comics in the United States has no set of super-heroes, but the book teen mood Archie.
Artists
Creators Further information: List of Silver Age comics
Arlen Schumer, author of The Silver Age of Comic Book Art, honors Flash Carmine Infantino as the embodiment of the design of the time: "as elegant and streamlined as the fins of Detroit was sporting on all its models. "Other notable artists of the era include Gene Colan, Steve Ditko, Gil Kane, Jack Kirby, Joe Kubert, and Curt Swan.
Two artists who changed the industry comic strip dramatically in the 1960s were Neal Adams, considered one of the greatest cartoonists in the country, and Jim Steranko. Adams breakthrough was based on the layout and rendering. Best known for the return Batman to his dark roots after the success of the kitschy TV show Batman, his realistic depictions of anatomy, faces and gestures changed comic style "in a manner that reflects sees Strausbaugh in modern graphic novels.
The cover of Nick Fury: Agent of SHIELD # 7 (December 1968) by Jim Steranko. His art has a large debt to Salvador Dal.
One of the few writer-artists of the time, Steranko uses a cinematic narrative style. Strausbaugh assigned as one of Marvel's most powerful creative forces in the late 1960s, his art owes a great debt to Salvador Dal. Steranko began by inking and penciling the details of works of art Kirby Nick Fury, Agent of SHIELD early in Strange Tales # 151, but Strange Tales # 155 Stan Lee had put in charge of writing and drawing the adventures of Fury. He exaggerated stories James Bond style, introducing the vortex beam (which raises objects), the bomb speechless (Who explodes in silence), a miniature electronic absorber (which protects Fury electricity), and Q-ray machine (one molecular disintegrator) ll in its 11-story front page.
Top 20 Comics
In 2008, the collection of comics Silver Age was upward. Possible reasons are that some of Golden Age comics are becoming too expensive or that the baby boomers fondly remember the comics of their youth. Amazing Fantasy # 15, the first appearance of Spider-Man, is considered the "Holy Grail" of comics Silver Age. The Official Overstreet Comic Book Price Guide # 38 (2008) lists the following 20 comic books as the most sought after by collectors:
Title
Question
Editor
Relevance
Amazing Fantasy
15
Marvel
First appearance of Spider-Man
Showcase
4
DC Comics
First appearance Barry Allen as the Flash
Fantastic Four
1
Marvel
First appearance of the Fantastic Four
Amazing Spider-Man
1
Marvel
Spider-Man gets his own series
Pontoon
1
Marvel
First appearance of Hulk
X-Men
1
Marvel
First appearance X-Men
Showcase
8
DC Comics
Second appearance of the Silver Age Flash
Journey Into Mystery
83
Marvel
First appearance Thor
Showcase
9
DC Comics
Lois Lane star in her own adventure
Flash
105
DC Comics
First strip Flash cartoon from Flash Comics was canceled due to # 104
Tales of Suspense
39
Marvel
First appearance of Iron Man
Brave and the Bold
28
DC Comics
First appearance of the Justice League of America
Adventure Comics
247
DC Comics Comic
Superboy meets the Legion of Super-Heroes
Justice League of America
1
DC Comics
First Issue
Showcase
22
DC Comics
First appearance of Silver Age Green Lantern
Fantastic Four
5
Marvel
First appearance of Dr. Doom
Tales to Astonish
27
Marvel
First appearance of Hank Pym
Fantastic Four
2
Marvel
second appearance of the Fantastic Four, first appearance of the Skrulls
Green Lantern
1
DC Comics
First Issue
Amazing Spider-Man
2
Marvel
First appearance of the Vulture
Action Comics
252
DC Comics
First appearance of Kara "Supergirl" Zor-El
See also
Golden Age of Comic
Bronze Age of Comic Books
Modern Age of Comic Books
Notes
^ Apocrypha Legend has it that in 1961, timely and Atlas publisher Martin Goodman was playing golf with either Jack Liebowitz or Irwin Donenfeld rival DC Comics (then called National Periodical Publications), which boasted of successful CD with the Justice League, which began in Brave and the Bold # 28 (February 1960) before moving to its own title.
Film producer and comics historian Michael Uslan contradicted later in detail, while maintaining the framework of the story:
Irwin said he had never played golf with Goodman if the story is false. I heard this story more than two times while sat in the dining room, 909 Third Avenue DC and 75 Rockefeller Plaza features Sol Harrison and Production [chief] Jack Adler were chatting with some of us … who has worked for DC during our college summers …. [T] he way I heard the story of Sol, is that Goodman was playing with one of the leaders of Independent News, not DC Comics (DC property owned Independent News). … As a distributor of DC Comics this man certainly knew all the sales figures and was in the best position to tell this tidbit to Goodman. … Of course, Goodman would be playing golf with the boy and to be in her good graces. … Sol worked closely with senior management independent news "over the decades and have got this story directly from the horse's mouth.
Notes
^ Reynolds, Richard. Super Heroes: a Modern Mythology (1994), University Press of Mississippi, p.8-9. ISBN 0878056947
Abc ^ Alter Ego vol. 3, No. 54 (November 2005), p. 79
^ Abcde Mooney, Joe (April 19, 1987). "It's No Joke: Comic Books May Help Kids learning to read. "Seattle Post-Intelligencer. Http://seattlepi.nwsource.com/archives/1987/8701100104.asp. Retrieved 23/09/2008.
^ Abcdefghi Strausbaugh, John (December 14, 2003). "ART, 60's Comics: Gloomy, Sidi, and" Superior. The New York Times. http://query.nytimes.com/gst/fullpage.html?res=9A0CEED81E3DF937A25751C1A9659C8B63. Retrieved 28/06/2008.
^ On the street, Robert M. Overstreet Official Comic Book Price Guide 38th edition New York: 2008 (Glossary Pages1026-1031) page 1026
^ "In graphic terms …". The San Diego Union-Tribune. July 17, 2006. Http://www.signonsandiego.com/news/features/20060717-9999-mz1c17terms.html. Retrieved 23/09/2008.
^ CBR News Team (July 2, 2007). "Flashback DC: The Flash. Resources comics. http://www.comicbookresources.com/?page=article&id=10649. Retrieved 27/06/2008.
^ Zicari, Anthony (August 3, 2007). "Breaking the border – Rants and Ramblings". Bulletin Comics. Http://www.silverbulletcomics.com/news/story.php?a=5706. Retrieved 27/06/2008.
Abcdefghi ^ Jacobs, pp. 3-4Jacobs 1985
Abc ^ Nash, Eric (February 12, 2004). "Julius Schwartz, 88, editor leader who has revived the superhero genre of comics. "New York Times. http://query.nytimes.com/gst/fullpage.html?res=9E0DE2DC133AF931A25751C0A9629C8B63. This Retrieved 23/09/2008.
^ Ab Pethokoukis, James (February 26, 2004). Flash Facts. "U.S. News and World Report. Http://www.usnews.com/usnews/tech/nextnews/archive/next040226.htm. Retrieved 27/06/2008.
Abc ^ Janulewicz, Tom (February 1, 2000). "Gil Kane, artist of the space age comics, Dies". Space.com. http://www.space.com/sciencefiction/gil_kane_000201.html. Retrieved 27/06/2008.
^ Singer AB, Matt (June 27, 2006). Returns Superfan. "Village Voice. http://www.villagevoice.com/2006-06-27/books/superfan-returns/. Retrieved 23/09/2008.
^ Shaw, Scott (September 22, 2003). Oddball Comics. Resources comics. Retrieved on 2003-10-20. http://web.archive.org/web/20031020180208/http://www.comicbookresources.com/columns/oddball/index.cgi?date=2003-09-22. Retrieved 4/9/2008.
Abcd ^ Shutt, Craig. Baby Boomer Comics: The Wild, Wacky, wonderful comic books of the 1960s! (Krause Publications, Iola, Wisconsin, 2003), p. 21. ISBN 0-87349-688-X
^ Grant, Steven (February 18, 2004). "Permanent Damage". Resources comics. http://www.comicbookresources.com/?page=article&id=14633. Retrieved 20/02/2009.
^ St. Louis, Herve (October 9, 2005). "Is DC Comics spearhead a new era in Comics Super Hero?". Bin cartoon. http://www.comicbookbin.com/comicbookrevival001.html. Retrieved 15/07/2008.
^ Reif, Rita (October 27, 1991). "Antiques; Collectors Read the Bottom Lines of Vintage Comic Books. "New York Times. Http://query.nytimes.com/gst/fullpage.html?res=9D0CEEDD1E3EF934A15753C1A967958260. This document from 02.03.2009.
Comics Stan Lee ^ abc, Origins of Marvel (Fireside Books Simon and Schuster / 1974), p. 16
^ Mark Norman. "New Super-Hero Kinky guy instead. "Hearst Corporation Eye Magazine, Vol. 2, # 2 (February 1969). Reprinted in Alter Ego # 74 (December 2007), pp. 16-25
Ab ^ O'Neil Keith (September 27, 2007). "The history of comics." Keene Equinox. Http://media.www.keeneequinox.com/media/storage/paper537/news/2007/09/27/AE/The-History.Of.Comics-2993374 . shtml. Retrieved 2009-01-29.
Abc ^ Sanderson, Peter (October 10, 2003). "Comics in Context # 14: continuity / discontinuity." IGN. Http://comics.ign.com/articles/595/595576p1.html. Retrieved 20/02/2009.
Abc ^ O'Shea, Tim (February 2, 2004). "Fun with Mr. Silver Age: Craig Shutt. Bulletin Comics. Http://www.comicsbulletin.com/features/107577856868634.htm. Retrieved 30/06/2008.
^ Abcde Jackson, Kathy Merlock, Mark D. Arnold (2007). "The baby boomers and Harvey Comics After the Code: a small neighborhood http://www.english.ufl.edu/imagetext/archives/v3_3/jackson/ girls and boys ". ImageText (University of Florida) ..
Abcd ^ Weiland, Jonah (July 15, 2003). "The Mighty Crusaders: Origin of the ships, a super-team" in November. Resources comics. https: / / www.comicbookresources.com/?page=article&id=2390. Retrieved 2009-02-02.
^ For more specific bibliographical information, see the list by title of Robert Overstreet, infra.
^ For more information bibliographic information in those publications, see the list by title Robert Overstreet, infra.
^ Ault, Donald (2004). "Prelude: Barks Crumb and Noomin: Re-Considering the Aesthetics of Underground Comics. ImageText (University of Florida). Http://www.english.ufl.edu/imagetext/archives/v1_2/intro.shtml.
Ab ^ Heer, Jeet (September 28, 2003). "Free Mickey!". The Boston Globe. http://www.boston.com/news/globe/ideas/articles/2003/09/28/free_mickey/. Retrieved 2009-02-02.
^ Keys, Lisa (April 11, 2003). "Drawing http://www.forward.com/articles/8598/ peace in the Middle East". .. This document Next from 22.12.2008.
^ Wood, Beth; Jerry McCormick (July 17, 2006). "In graphic terms …". The San Diego Union-Tribune. Http://www.signonsandiego.com/news/features/20060717-9999-mz1c17terms.html. Retrieved 22/12/2008.
^ Radfored, Bill (April 26, 2000). "What to see return to the silver age of comics. Gazette. http://www.accessmylibrary.com/coms2/summary_0286-7282623_ITM. Retrieved 27/06/2008.
^ Jacobs, p. 154Jacobs 1985
Abc ^ Blumberg, Arnold T. (Fall 2003). "'The Night Gwen Stacy Died' end of innocence and the birth of the Bronze Age." Reconstruction: Studies in contemporary culture. ISSN 1547-4348. http://reconstruction.eserver.org/034/blumberg.htm. Retrieved 20/02/2009.
Abcd ^ Scott (September 16, 2008). Classic Scott's Comics Corner: a new ending to the Silver Age Pt 1. Resources comics. Http://goodcomics.comicbookresources.com/2008/09/16/scotts-classic-comics-corner-a-new -end-to-the-silver-age-pt-1 /. Retrieved 23/09/2008.
^ Scott (September 18, 2008). "Classic Comics Corner Scott: a new ending to the Silver Age Pt 3. Resources comics. http://goodcomics.comicbookresources.com/2008/09/18/scotts-classic-comics-corner-a-new-end-to-the-silver-age-pt-3/. Retrieved 23/09/2008.
^ Abc Sanderson, Peter (2004). "Comics in Context # 33: A boat Monsters and Marvels. IGN. http://comics.ign.com/articles/595/595589p6.html. Retrieved 15/07/2008.
^ See, eg, Robbins, Trina. Girls Grrrlz, Chronicle Books, San Francisco, 1999, pp. 45, 52-54, 67, 69-70, 76-7 and throughout
^ Callahan, Timothy (2008-08-06). "In defense of comic great." Comics Resources. Http://www.comicbookresources.com/?page=article&id=17623. Retrieved 05/09/2008.
^ Dick O'Donnell, "It's Magic", the comic book, Arlington House, 1973, revised edition Krause Publications, 1998
^ On Jerry Siegel, Joe Shuster, Jack Kirby fans of science fiction, see Masters Benton, Mike, imagination, Taylor Publishing, 1994, pp. 17-18, 28; Otto Binder on the SF fan and writer, see Steranko, Jim Steranko History of Comics 2 supergraphics, 1972.
^ Jules Feiffer, the great heroes of comics Dial Press, 1965, pp 22-23.
^ Peter Couperie Maurice Horn et al. A history of comics, translated from French by Eileen Hennessy (Crown Publishing: New York, 1968), and George Perry and Alan Aldridge, "The Book of Comic Penguin, Penguin Books (1967). See especially before the introduction and chapters 10-12 of Couperie et al, and Chapter 6 of Perry and Aldridge.
Ronin Ro ^, Tales to Astonish (Bloomsbury Publishing, 2004), pp. 110-111.
^ Perry & Aldridge, above, p. 224
^ Robbins, above, p. 69.
^ "A superb record of the money of the super-hero" age ". Canberra Times. January 17, 2004. http://www.accessmylibrary.com/coms2/summary_0286-20016738_ITM. Retrieved 28/06/2008.
Baker ab ^, RC (November 18, 2003). "The American Gods". Village Voice. http://www.villagevoice.com/news/0347, baker, 48773.1. html. Retrieved 28/06/2008.
Ab ^ Grant, Steven (April 5, 2000). "Master of the obvious 05/04/2000. Resources comics. http://www.comicbookresources.com/?page=article&id=13276. Retrieved 23/09/2008.
AB ^ Jacobs, p. 144Jacobs 1985
^ "Auction Records Silver Age Heritage Weekly. DiamondGalleries.com. August 20, 2008. http://scoop.diamondgalleries.com/public/default.asp?t=1&m=1&c=34&s=262&ai=73554&arch=y&ssd=8/20/2008 12:01:00. Retrieved 14/03/2009.
^ "Amazing Fantasy # 15 CGC February 8.5 in ComicLink / March featured auction. DiamondGalleries.com. January 22, 2009. http://scoop.diamondgalleries.com/public/default.asp?t=1&m=1&c=34&s=262&ai=79136&arch=y&ssd=1/22/2009 12:01:00. Retrieved 14/03/2009.
^ Overstreet, Robert (2008). The Official Overstreet Comic Book Price Guide No. 38. New York: Random House. pp. 154. ISBN 0375722394.
^ Sinclair, Tom (June 20, 2003). "Another miracle!". Entertainment Weekly. http://www.ew.com/ew/article/0, 458355_2, 00.html. Retrieved 01/02/2009.
^ Michael Uslan letter published in Alter Ego # 43 (December 2004), pp. 43-44
References
^ Jacobs, Will; Gerard Jones (1985). Hero cartoon: In the Silver Age to the present. New York, New York: Editorial Unit of the Crown. ISBN 0517554402.
References
Silver Age – Television Tropes & Idioms
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Sullivan, Missy. Soapbox adviser "superhero comics hit six figures, "Forbes.com, April 22, 2005
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